Originally Posted by Superkid11
They're fantastic! My favorite is the Glynn one, it seems to blend really well.  They all(particularly the Howell and Glynn ones) sound a bit bumpy near the end, but they're still great. Thumbs up! |
Thanks for the compliments! Yeah, about the end, it's difficult to get it perfect because Murray invented a whole new section for the end of his theme so there's no existing material to fall back on for that. If that weren't bad enough, the CIN orchestra timing is generally pretty bad, especially towards the end, so that makes it even more difficult to piece together accurately. Still, I'm proud of the job I did with what I have. (Actually I really don't think even the endings are that bad...)
Originally Posted by Superkid11
Have you tried merging the CIN theme with the '67 Derbyshire theme? Or would the echoey bassline and spangles sound weird with the orchestral sounds?
|
That's an interesting thought... it's never occurred to me to try it. I might give it a shot, but I'd have to reconstruct the 1967 theme out of the isolated 1963 elements I have for maximum effect. That's something I'll consider.