Hmm, I didn't think it was THAT bad, but mediocre. Mainly because of the plot point of how this planet vanished. "Oh politics is none of MY business." Wtf is that? That was just plain laziness. I'm also wondering how these people didn't die as soon as these little creatures crawled out of them. Presumably they were moving quite freely inside their bodies and that should have disrupted their major organs, which would have caused a lot of pain, and not the "wtf" reaction that the fatties gave. Also, in a S2 episode, Mickey Smith can hear the engines of the TARDIS reverberating and echoing through the streets from quite far away iirc, so why couldn't Donna hear the TARDIS materializing a few yards behind her when she got out of the car?
Other than the plot point my only other gripes were minor things, for example, "this isn't the 1980s anymore, no one is unemployed except you!" RTD clearly does not watch the Jeremy Kyle Show. Secondly, Foster told her it took her while to find the fattest nation in the world, cheeky! I'd have thought America was a better bet. And another thing I found odd was the scene where the Doc causes a stunning screech with the 2 sonic devices, how was Donna able to instantly run off after he'd stopped while the guards and Foster were still doubled over?
I actually thought that the cast were brilliant, except for Foster. I think it is well established that camp villains don't work in new Who (See Max Capricorn, The Abzorbaloff), I mean, glasses and turning round on the rotating chair, how cliched is that?
Tate was better than I expected, they really toned her character down and I thought the scene where she was discussing her life with her Granddad was excellent. David Tennant was at his best here, and this is what he should be like when he is being funny, not shouty and over the top. I laughed a lot at his early line "Health and safety.... Film crew," but I thought Tate's miming through the window and the bobbing heads was a bit much.
I also don't think the music was too bad, and I rather enjoyed the 'Elevator' style music at the start.
I'd give it 5 out of 10 for the plot holes, but the 5 comes from the solid cast.
Next week's does look awesome. A really good era to travel to.
Oh and Stutomo, what you got with the credits there is as good as you're gonna get nowadays, you're lucky they weren't squashed to 1/4 of the screen while the rest was taken up by adverts. They recently bought out new guidelines for credits and what you can and can't do with them, and an emphasis on the "can't."
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Dost thou expect me, thy monarch, to dine on such meagre portions thus 'ere?!
Last edited by Ronnie Rowlands; April 6, 2008 at 7:55 AM
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