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August 30, 2008, 5:37 PM
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Join Date: December 2002
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Originally Posted by Jamie Minty
Sorry, I guess music is safest in the hands of the person who is creating it. Its still great and the best one yet I think!  |
Thanks very much!
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August 31, 2008, 6:28 AM
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Look who's back!
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Join Date: December 2005
Location: Great Britain
Posts: 1,173
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Originally Posted by Danny Stewart
(And of course it helps to have a talented orchestra as well -- something the BBC National Orchestra of Wales most certainly is not.)
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No, that's bullshit. If they weren't talented they wouldn't be a renowned orchestra that doubles as a broadcasting and national orchestra, perform internationally and in 20 home-based concerts each year. It's not like the foreigners that the orchestra plays to think to themselves "oh great here comes that irritating damn orchestra again, I'd better pay hundreds of euros/whatever to see them perform music and grit my teeth and bear it."
The problem you have with the orchestra is to do with the music that was written for them by Murray Gold, so don't insult and orchestra that is doing as it's told, and, in my opinion, doing it fantastically well.
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Dost thou expect me, thy monarch, to dine on such meagre portions thus 'ere?!
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August 31, 2008, 6:31 AM
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Join Date: July 2006
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I agree. The National Orchestra of Wales is capable of some very nuanced performances; Fischer is a superb conductor.
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August 31, 2008, 9:05 AM
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Bang.
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Join Date: August 2006
Location: Florida, USA
Age: 33
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Aright aright let's not steer that way now...
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August 31, 2008, 12:03 PM
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All I know is that this orchestra couldn't time the Doctor Who theme well enough to synchronize their performance with the Derbyshire elements. Then suddenly when the BBC Proms orchestra came along, "hey look, it's the Derbyshire elements playing right in time with the orchestra!" I tried matching Derbyshire elements to the recording of the Children in Need concert myself, and it took 27 edits (no exaggeration) to make the themes line up, even after I had synchronized the themes' tempos. "Atrocious" would be too kind a word to describe their musical timing. I am personally of the belief that the orchestra is completely untalented. I have more of a problem with them than I have with Murray Gold. I've analyzed the timing of some of their tracks myself, and it's atrocious. You guys can defend them as much as you like, but I will never believe that they are a particularly talented orchestra.
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September 2, 2008, 8:14 PM
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First rate work as always. The electronic track reminds me a little bit of the Howell version bassline. I strongly recommend that you submit this updated classic to Whomix. 
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I really must get around to reading my own scripts, one of these days... - Russell T. Davies, Doctor Who Magazine, June 2009
"Avon Calling."   "Nice Try."
Originally Posted by Ronnie Rowlands
Altered by Recurring Villain
Good, but replace the third line with something like "but I'm on hand to save the day" so that blah de blah wibble dobble lexicon gibberish.
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September 2, 2008, 9:16 PM
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Originally Posted by BritCanuck
First rate work as always.
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Thanks very much.
Originally Posted by BritCanuck
The electronic track reminds me a little bit of the Howell version bassline.
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As it should. The emphasized second layer is an idea that stems from the Howell version, and I made the sound quite similar as well.
Originally Posted by BritCanuck
I strongly recommend that you submit this updated classic to Whomix. |
I shall consider it.
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