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  #141  
Old August 30, 2008, 5:37 PM
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Originally Posted by Jamie Minty View Post
Sorry, I guess music is safest in the hands of the person who is creating it. Its still great and the best one yet I think!
Thanks very much!
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  #142  
Old August 31, 2008, 6:28 AM
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Originally Posted by Danny Stewart View Post
(And of course it helps to have a talented orchestra as well -- something the BBC National Orchestra of Wales most certainly is not.)
No, that's bullshit. If they weren't talented they wouldn't be a renowned orchestra that doubles as a broadcasting and national orchestra, perform internationally and in 20 home-based concerts each year. It's not like the foreigners that the orchestra plays to think to themselves "oh great here comes that irritating damn orchestra again, I'd better pay hundreds of euros/whatever to see them perform music and grit my teeth and bear it."

The problem you have with the orchestra is to do with the music that was written for them by Murray Gold, so don't insult and orchestra that is doing as it's told, and, in my opinion, doing it fantastically well.
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  #143  
Old August 31, 2008, 6:31 AM
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I agree. The National Orchestra of Wales is capable of some very nuanced performances; Fischer is a superb conductor.
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  #144  
Old August 31, 2008, 9:05 AM
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Aright aright let's not steer that way now...
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  #145  
Old August 31, 2008, 12:03 PM
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All I know is that this orchestra couldn't time the Doctor Who theme well enough to synchronize their performance with the Derbyshire elements. Then suddenly when the BBC Proms orchestra came along, "hey look, it's the Derbyshire elements playing right in time with the orchestra!" I tried matching Derbyshire elements to the recording of the Children in Need concert myself, and it took 27 edits (no exaggeration) to make the themes line up, even after I had synchronized the themes' tempos. "Atrocious" would be too kind a word to describe their musical timing. I am personally of the belief that the orchestra is completely untalented. I have more of a problem with them than I have with Murray Gold. I've analyzed the timing of some of their tracks myself, and it's atrocious. You guys can defend them as much as you like, but I will never believe that they are a particularly talented orchestra.
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  #146  
Old September 2, 2008, 8:14 PM
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First rate work as always. The electronic track reminds me a little bit of the Howell version bassline. I strongly recommend that you submit this updated classic to Whomix.
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Originally Posted by Ronnie Rowlands View Post
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Good, but replace the third line with something like "but I'm on hand to save the day" so that blah de blah wibble dobble lexicon gibberish.
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  #147  
Old September 2, 2008, 9:16 PM
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Originally Posted by BritCanuck View Post
First rate work as always.
Thanks very much.

Originally Posted by BritCanuck View Post
The electronic track reminds me a little bit of the Howell version bassline.
As it should. The emphasized second layer is an idea that stems from the Howell version, and I made the sound quite similar as well.

Originally Posted by BritCanuck View Post
I strongly recommend that you submit this updated classic to Whomix.
I shall consider it.
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